Artistss
TAGGED: R88

“…I suspect there isn’t a sound an AEA can’t conquer. I won’t do a session without them.”

“…I suspect there isn’t a sound an AEA can’t conquer. I won’t do a session without them.”

“…I love that the R88 is phase coherent, just point and shoot and you’re good to go. That way I can just worry about the important stuff like making interesting music.”

“There are very few pieces of equipment that can handle the amount of tasks I put the KU5A up against. It handled all of them effortlessly with the perfect amount of clarity and enjoyable qualities. It’s a winner, hands down.”

“Their size, shape, and weight make them far easier to place than the bulkier ribbons I’m used to. The N8s are the closest thing to a perfect ribbon mic I’ve heard.”

” AEA Mics make everything sound larger then life , they capture harmonic information like nothing else. Now that I have heard the, I couldn’t Imagine working without them. ”

“The R92 has been one of my favorite work horses. I use it on everything from snare and electric guitar to vocals and percussion…”

“AEA mics are my first line of defense in the war against boring, sterile sounds. You will not find a finer example of the intersection of craftsmanship and sonic truth.”

“The R88 is a magic microphone and captures music in a unique way that I’ve come to rely on. I use it on drums, acoustic guitar, piano, and any instrument I want to sound like it’s in the room with the listener.”

“I use my R88 on every record I make. It’s often found over or around the drum kit, on piano, used as an ensemble mic to capture a stereo spread, and even on acoustic guitar. I love it and couldn’t imagine not having it around.”

“I love my R88! The stereo imaging is incredible and the depth of field I can achieve in my recordings is pretty stunning. The top end is beautifully natural sounding, especially for drum overheads and piano.”

“The R84 has made a ribbon believer out of me. Never before have I heard a ribbon mic sound so good on so many things: strings, brass, acoustic guitar, choir, even solo voice.”

“The R88’s got such a great stereo image without a hole in the middle, it just seems like its full all the way across and vibrant and lively sounding.”

“I’ve been using the R88 lately as a room mic out in front of the drums. I really like that a lot, it sounds really cool…”

“I love the R88 on drums. Whether as an overhead or room, it pretty much was the only mic we needed. The long ribbon design makes the mic sound huge.”

“The RPQ500 has left me reaching for a ribbon over a dynamic mic every time I record guitars.”

“The R88 has become an indispensable tool in my mic collection… it is always somewhere in my orchestral brass setups.”