artists
TAGGED: N8
“They rarely get unplugged, but instead move around the room as tracking happens…”
Mark Egan / Pat Metheny, Elements
“…I suspect there isn’t a sound an AEA can’t conquer. I won’t do a session without them.”
Jeremy Zuckerman / Legend of Korra, Echo Society
“I use the N8 and N22 on just about everything at this point. Their silky, smooth, yet detailed sound gets me a great recording that sits well in the mix every time, whether I’m recording strings, guitar, piano, winds, voice…”
Steve Albini / Nirvana, Pixies, Breeders
“Whatever, these mics are terrific and I like them a lot.”
Adam Granduciel / The War On Drugs
“The N8’s and the N22’s have become pretty much the standard for both the band’s touring set up and day to day recording in my studio.”
Darrell Thorp / Radiohead, Beck, Paul McCartney
“[The N8] has depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic…”
Douglas Charles Showalter / Cam
“I can’t say enough great things about how much of a workhorse [the N22] has been in my studio.”
Josh Block / Leon Bridges
“There are very few pieces of equipment that can handle the amount of tasks I put the KU5A up against. It handled all of them effortlessly with the perfect amount of clarity and enjoyable qualities. It’s a winner, hands down.”
Chris Allen / Sear Sound Studios
“Their size, shape, and weight make them far easier to place than the bulkier ribbons I’m used to. The N8s are the closest thing to a perfect ribbon mic I’ve heard.”
Mike Cottone
“As a trumpet player, there is no better choice than a ribbon microphone…”
Aaron Sterling
“If you come to my studio, you’ll find the N8 situated right above my head as a mono overhead mic and the R84 next to my desk as an all purpose percussion mic…”
Chris Koltay / War On Drugs, Deerhunter
“AEA mics are my first line of defense in the war against boring, sterile sounds. You will not find a finer example of the intersection of craftsmanship and sonic truth.”
David Gaume / Local Natives, Autolux
The [N22 and N8] seem to pick up pleasing character and intimacy to sources while leaving out the squirrely harshness of guitar amps and shrillness of cymbals.
Karl Latham
“AEA Microphones, specifically the N8 Stereo Pair, coupled with the RPQ2, give me the exact warmth, transparency and detail that I had been searching for!”
Greg Wells / Keith Urban, Katy Perry
“The R88 is a magic microphone and captures music in a unique way that I’ve come to rely on. I use it on drums, acoustic guitar, piano, and any instrument I want to sound like it’s in the room with the listener.”
Daniel Rosenboom / Star Wars, Orenda Records
“Whether I’m at any one of the major Hollywood scoring stages or in a small or home studio, I record with AEA ribbon mics in almost every session.”
Julian Cisneros / RED Digital Cinema
“AEA Microphones, specifically the N8 Stereo Pair, coupled with the RPQ2, give me the exact warmth, transparency and detail that I had been searching for!”
Greg Curtis / The Bridge Recording
“What I like about the KU4s is that they are a rendition of the originals that leaves nothing to be desired.”