artists
TAGGED: RPQ500

“…I suspect there isn’t a sound an AEA can’t conquer. I won’t do a session without them.”

“The R84 is aces across the board with sound quality. Musically capturing exactly what I’m looking for and built like a tank!”

“My N22 has turned out to be an incredible bass amp mic…to such an extent that I won’t record bass without it.”

“There are very few pieces of equipment that can handle the amount of tasks I put the KU5A up against. It handled all of them effortlessly with the perfect amount of clarity and enjoyable qualities. It’s a winner, hands down.”

“AEA mics are my first line of defense in the war against boring, sterile sounds. You will not find a finer example of the intersection of craftsmanship and sonic truth.”

“I’ve been using the R88 lately as a room mic out in front of the drums. I really like that a lot, it sounds really cool…”

“What I like about the KU4s is that they are a rendition of the originals that leaves nothing to be desired.”

“The RPQ500 has left me reaching for a ribbon over a dynamic mic every time I record guitars.”

“The R88 has become an indispensable tool in my mic collection… it is always somewhere in my orchestral brass setups.”

“The RPQ500 lets my ribbon microphones be themselves without too much unwanted color and noise”

“We used the KU5A on cello spot on Deadpool 2’ orchestra sessions and loved it. Having a supercardioid ribbon like this opens a lot of new possibilities. You can now dig in but still get the characteristic ribbon sound.”

“The RPQ2 takes my AEA microphones to the next level. There’s gain for days and it’s insanely quiet.”