Artists
artists
TAGGED: N8
“[The N8s] are magnificent for guitar amps, vocals, brass, and stringed instruments! They have a good deal of top end, yet are never harsh. Smooth. Very smooth!”
Artists
Greg Norman / Electrical Audio
“Those [N8s] are getting tried on everything. I love the durability and eq of it. I’ve been a fan of using it on bass amps, and brass actually.”
Artists
Morten Lindberg / Lindberg Lyd, 2L
“The N8 provides the best focus mics I’ve ever heard; they blend into the main array as butter.”
Artists
Jeff Ballard / Brad Mehldau, Ray Charles
“The [N8s] sound absolutely phenomenal!! It’s shocking to tell you the truth. The mic sound is so honest, so close to what the drums sound like. I couldn’t be more satisfied.”
Artists
Pierre De Reeder / Rilo Kiley, She & Him
“[With the N8s] there was an openness that I’ve just never really heard quite so ‘naturally’ before. And there was a depth that these gave, too, that was just astonishing.”
Artists
Taylor Hales / Electrical Audio
“[The N8] has also shone on anything where some girth and low-end and low-mid tilt were called for: small or nasal-sounding vocals; horns; drum overheads recording bright cymbals; tink-y percussion.”
Artists
Daniel Shores / Sono Luminus
“The silky and transparent sound of the N8 makes it the perfect microphone for recording acoustic music. The N8’s almost crystalline quality allows you to forget the microphone is even there.”
Artists
Cole Nystrom / Michael Jackson, Macy Gray
“The R84 is aces across the board with sound quality. Musically capturing exactly what I’m looking for and built like a tank!”
Artists
Brad Haehnel / Pixar, Life of Pi
“The R88 has become an indispensable tool in my mic collection… it is always somewhere in my orchestral brass setups.”
Artists
Ben Tolliday / Lord Huron, Hozier
“The N8 has wonderful natural sonic characteristics… a very focused tone that captures acoustic instruments like no other mic I own.”
Artists
Robert L. Smith / David Bowie, Aerosmith, Lady Gaga
“[N8s] give me the sound exactly the way I want to capture it, which, to me, is the very definition of a ‘dream’ microphone.”
Artists
Colin Stetson / Arcade Fire, Bon Iver, Tom Waits
“For close miking the bell and upper stack area, the KU4 is the best mic I’ve used on Bass and Baritone Sax.”
Artists
John Kurlander / Lord of the Rings, Beatles
“The N8 has a fantastically full and natural tone, and can easily and safely be hoisted above an orchestra.”
Artists
Gus Borner / Pixar, Marvel, Deadpool
“We used the KU5A on cello spot on Deadpool 2’ orchestra sessions and loved it. Having a supercardioid ribbon like this opens a lot of new possibilities. You can now dig in but still get the characteristic ribbon sound.”
Artists
Alex Chaloff / The AEA Sessions
“The RPQ2 takes my AEA microphones to the next level. There’s gain for days and it’s insanely quiet.”