#R84 Series
“The 44 is easily my favorite mic for capturing a true representation of any instrument. I find that it has the ability to grab every detail of an entire drum kit without the need for any close mics.”
Jonathan Clay / Jamestown Revival
“We credit much of our sound in the studio to AEA microphones. They have shaped our sound from the very beginning, and without them our record wouldn’t have had quite the same character and earnestness. “
Mike Schuppan / M83, Paramore
“These have become my desert island ribbons.”
Morten Lindberg / Lindberg Lyd, 2L
“The N8 provides the best focus mics I’ve ever heard; they blend into the main array as butter.”
Leon Bridges performs ‘Lisa Sawyer’ live for Hunger TV
The California Honeydrops perform ‘Brokedown’ at The Strange Manor
AEA’s R84 vs. the RCA 77: What’s the Difference?
Danny Blume / Elysian Fields, Iggy Pop
“[The R84] is one of my top go-to mics for lead vocals, especially highly dynamic singers who can generate some harsh upper midrange in louder sections.”
Daniel Shores / Sono Luminus
“The silky and transparent sound of the N8 makes it the perfect microphone for recording acoustic music. The N8’s almost crystalline quality allows you to forget the microphone is even there.”
Robert Burger / Iron & Wine, Tin Hat Trio
“My absolute favorite combo on my upright pianos, mallet instruments, and reed organs are an R88 with the RPQ.”
Chris Eldrige / Punch Brothers, The Seldom Scene
“I’m loving the R84 – it’s such a great sounding mic! Music just sounds good through it.”
Joe Chiccarelli / The White Stripe, The Strokes
“I used the AEA R84 on recent sessions for vocal [and guitars]. It just kept on sounding better and better. It’s very bright and open with an extended low end…”
Terri Winston / WAM, Kronos Quartet, Angelique Kidjo
“Women’s Audio Mission’s studio clients are incredibly diverse and the AEA R84 and N22 are in constant use. They get a ton of love here at WAM. From miking up loud guitar amps to string quartets to horn sections to delicate instruments…”