5 Reasons To Upgrade to an Active Ribbon Microphone

The Active Future Is Now

At AEA, we design and build passive and active ribbon microphones. Some models — like the AEA R44 and R84 — have both passive and active versions. While both types of mics offer the same excellent and natural sound quality of a ribbon, there are five reasons we recommend using the active versions.

1. Active ribbon mics have greater output than passive microphones.

The custom Lehle transformer in our active mics gives +12dB of extra output over their passive counterparts. The R84A has +12dB more output than the passive R84 and the A440 has +18dB more output than the passive R44. When using colored preamps with less gain, these active mics offer greater flexibility when gain staging the preamp.

Passive designs require a special preamp — like the AEA RPQ3, RPQ500, and TRP3 models. These preamps ensure optimal performance for the microphone. Unlike many modern preamps with low gain and impedance, these specially designed units provide adequate and quiet gain and high enough impedance for ribbon microphones.

2. They have less audible noise.

The more gain a preamp gives, the more noise is added to the audio path. A passive microphone requires more gain and has a higher self-noise decibel rating than its active counterpart. For quiet and distant sources, this can be a problem when using preamps with 65dB or less gain. Cranking a passive mic up through a low gain preamp may have a negative effect on the signal-to-noise ratio.

Because active mics have more output and require less gain from a preamp, you will not have to completely rely on the preamp to establish a low-noise signal.

3. They can be used with any preamp.

For newer ribbon users or bands on the road, active microphones are more attractive due to their simplicity and flexibility. Active mics, like the highly compact NUVO N22 and N8 models, and the supercardioid KU5A, are preamp agnostic. These mics work with any preamp without the user having to worry about the sound changing in a negative way due to gain level and the impedance of the preamp. The same JFET technology used in AEA’s preamps is incorporated into the active mics. This essentially pairs the microphone to the most optimum preamp front-end possible while always ensuring the full sonic potential of the microphone. With active ribbons, preamps are out of sight and out of mind.

4. They are more protected against noise from long cable runs.

In certain instances, long cable runs of over 100 feet from a passive ribbon mic to a preamp can cause noise issues as well as impedance problems. On scoring stages, often times the preamps are in the recording space near the microphones and musicians minimizing this interference. This isn’t always a practical solution. Active mics do not have this problem because of their built-in electronics.

5. Phantom-power will not hurt them.

Finally, with active mics, the ribbon element is protected from phantom power since the mic demands 48 volts to operate. The old warnings about phantom power are not relevant with active circuitry.

Phantom power can hurt a passive ribbon mic if it is engaged while the ground pin shorts to either the positive or negative pin on the XLR. Instead of picking up sound, the microphone then becomes a speaker. This damages the ribbon element, requiring its replacement. Damage to the ribbon can also occur when hot patching on the input of a TRS patch bay while phantom power is engaged.

In almost every instance, the active circuitry in AEA ribbons is a significant upgrade to a passive microphone. If an active option exists, go for it!

Tricks of the Trade
Active Vs Passive Ribbons: What’s the Difference?
Tricks of the Trade
R44C vs A440: What’s the Difference?
Tricks of the Trade
R84 vs. R84A: Passive and Active Siblings