Artists

“The KU4 has been our go-to mic on everything since it arrived. Love it!”

“For close miking the bell and upper stack area, the KU4 is the best mic I’ve used on Bass and Baritone Sax.”

“This [KU4] will be a permanent part of my drum rig, so much that I’m considering buying a second KU4 to move around the studio for other applications.”

“My absolute favorite combo on my upright pianos, mallet instruments, and reed organs are an R88 with the RPQ.”

“I’m loving the R84 – it’s such a great sounding mic! Music just sounds good through it.”

“I used the AEA R84 on recent sessions for vocal [and guitars]. It just kept on sounding better and better. It’s very bright and open with an extended low end…”

“The N8 has a fantastically full and natural tone, and can easily and safely be hoisted above an orchestra.”

“Women’s Audio Mission’s studio clients are incredibly diverse and the AEA R84 and N22 are in constant use. They get a ton of love here at WAM. From miking up loud guitar amps to string quartets to horn sections to delicate instruments…”

“We used the KU5A on cello spot on Deadpool 2’ orchestra sessions and loved it. Having a supercardioid ribbon like this opens a lot of new possibilities. You can now dig in but still get the characteristic ribbon sound.”

“When I heard the drums and found out that it was just the single mic over my head, the R88, I was blown away.”

“The R88 is the most realistic mic I’ve ever used. I still get confused if during playback the piano is coming out of the speakers or if the pianist is still playing in the room.”

“The RPQ2 takes my AEA microphones to the next level. There’s gain for days and it’s insanely quiet.”