AEA is well known for our line of professional ribbon microphones, but our passion goes far beyond them. In truth, we are obsessed with capturing the purest, most musical, and pristine sound possible. A great mic is just one piece of that journey. Every piece of equipment in your signal chain contributes to that goal, even when not using a microphone at all.
We created the AEA TDI, our take on the perfect active direct injection (DI) box, with this philosophy in mind. Let’s explore what makes the TDI special, the inspiration behind its development, and how best to integrate it into your workflow. But first, a little background.
AEA, America, and the TDI
AEA’s goal of revitalizing the golden age of American audio manufacturing—and our commitment to clean, unhyped gain—has led us to develop our respected line of ribbon microphones and the best-in-class preamps to drive them. But, what about those times when you don’t need a microphone?
Today’s music technology is a world without limits. Many guitarists and bassists record and perform without an amplifier or other sound source anywhere to be seen. Countless reamping products and amplifier/processing plugins make it fast and simple to plug their instruments into a DI box, then straight to the board, and still achieve astounding results. That DI, however, can make or break their sound.
We wanted to create a DI box that honored the natural sound of those instruments at the source while living up to the AEA standard.
The result is the AEA TDI active direct injection box.
Fred Forssell’s Masterful DI Design
To achieve our goals, the TDI’s proprietary circuit design had to offer unmatched performance while remaining versatile enough for a wide range of use cases. For this challenge, we looked to Fred Forssell. Fred has designed every electronic circuit at AEA since 2006, and is known for his expertise in meticulous, high-performance circuit design. Most importantly, Fred’s relentless pursuit of sonic excellence matches our own. We had high expectations for the TDI and knew that Fred was the ideal collaborator.